As someone who is simultaneously baffled and fascinated by the everyday world, my artistic activity allows me to think through the questions that niggle at the back of my mind. Often these questions focus on the entanglement of people, process and place.
Recently I’ve been thinking about how we perceive and understand barely visible processes and systems and the abstract concepts that exist within our surroundings and everyday life.
I’m interested in producing spaces, processes, journeys and sometimes objects/tools that invite people to experience something which is often intangible or invisible.
I wonder whether different understandings and imaginings of a process or concept can lead to new ways of being in the world and being together: perhaps reframing social and environmental debate leading to more sustainable futures.
Sometimes I work alone but, more often, I choose to think and make with other people, inviting them to join the process of enquiry. Through this process, we look for points of connection and commonalities.
Working within a social context and blurring boundaries between art and life raises questions about the nature of collaboration and participation and the delicate balances and tensions that exist within this type of work. I’ve been gradually developing a vocabulary and toolbox that I can take into different contexts. I view these ambiguous art-forms where art and people are brought together as a constantly shifting ground. This need to better understand the social relevance of contemporary art continues to underpin much of my practice and often leads me deep into the invisible social systems and processes that exist within the world of participatory art and beyond.
Sometimes the different strands of my practice are difficult for me to pull together and understand as a whole. Very occasionally they converge in a moment of absolute clarity. I try my best to stay grounded, keep it playful, get on with what really intrigues me.